Golden Thread: Jessica Niello-White + Greta Waller
Chandler Gallery is very pleased to present Golden Thread, a two-person exhibition of paintings by Los Angeles-based painter Greta Waller and Oakland-based painter Jessica Niello-White, on view from December 6th, 2025 through January 31st, 2026. This exhibition of both recent and older works by the artists was inspired by the idea of “the golden thread” in ancient myth, as what guided Theseus through the labyrinth and the thread of life spun by the Fates and, more broadly, as a metaphor for a delicate and hidden unity in a body of work. The resulting figurative paintings presented by the artists act as a rendezvous of their experience as women, as mothers, and as painters.
Both artists feel deeply connected to the tradition and lineage of painting, and their positioning within that long history. Niello-White describes each of her paintings as “a single star in a broad shimmering constellation of art that exists on the planet.” For both Niello-White and Waller, painting is not just an activity or an occupation; it is a lifelong practice and a way of life. As such, both artists engage in a diaristic image-making that fuels their practices.
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Jessica Niello-White, Woman asleep under the trees, 2025 -
Jessica Niello-White, To be blind, 2025 -
Greta Waller, Los Angeles Sausage, 2006 -
Jessica Niello-White, Morse code day bed, 2025 -
Jessica Niello-White, Billy Cotton and the tree of life, 2025 -
Jessica Niello-White, Woman holding Egg, 2025 -
Greta Waller, Untitled (Blue Pitcher), not dated -
Greta Waller, Artist Statement, 2011 -
Jessica Niello-White, To lose your head, 2025 -
Jessica Niello-White, From the studio of Josie Ford, 2025 -
Greta Waller, Spined Heart, 2021 -
Jessica Niello-White, Venus Reflected on Water, 2023 - 2025 -
Jessica Niello-White, Captured Swan, 2025 -
Greta Waller, Untitled (Cityscape), 2025 -
Greta Waller, Untitled, 2024 -
Jessica Niello-White, Dante in Paris, deep winter, 2025 -
Greta Waller, Stained Glass Ice, 2013 -
Jessica Niello-White, Portrait of Lois the painter, 2025 -
Greta Waller, Untitled (Shoreline), 2023 -
Jessica Niello-White, Danya in Pink, 2025 -
Greta Waller, Arco Iris Suave, 2018 -
Greta Waller, Untitled (City from Vantagepoint), 2008 -
Greta Waller, Untitled (Vessel), 2019 -
Jessica Niello-White, Hannah, 2025 -
Greta Waller, Green Ice, 2017 -
Greta Waller, Hologram, 2017 -
Greta Waller, Hologram III, 2017 -
Greta Waller, Nude Ice, 2017 -
Greta Waller, Through the Looking Glass, 2019 -
Greta Waller, Radiant Ice, 2009 -
Greta Waller, Ice from Greenland, 2009 -
Greta Waller, Untitled, 2024 -
Greta Waller, Untitled, 2023 -
Greta Waller, Untitled, 2023 -
Greta Waller, Untitled, 2023 -
Greta Waller, Untitled, 2023 -
Greta Waller, Untitled, 2019 -
Greta Waller, Untitled, 2023
Chandler Gallery is very pleased to present Golden Thread, a two-person exhibition of paintings by Los Angeles-based painter Greta Waller and Oakland-based painter Jessica Niello-White, on view from December 6th, 2025 through January 30th, 2026. An opening reception will be held this coming Saturday, from 5 to 7pm. All are welcome to attend and Niello-White will be in attendance. This exhibition of both recent and older works by the artists was inspired by the idea of “the golden thread” in ancient myth, as what guided Theseus through the labyrinth and the thread of life spun by the Fates and, more broadly, as a metaphor for a delicate and hidden unity in a body of work. The resulting figurative paintings presented by the artists act as a rendezvous through their experience as women, and as artists.
Both artists feel deeply connected to the tradition and lineage of painting, and their positioning within that long history. Niello-White describes each of her paintings as “a single star in a broad shimmering constellation of art that exists on the planet.” For both Niello-White and Waller, painting is not just an activity or an occupation; it is a lifelong practice and a way of life. As such, both artists engage in a diaristic image-making that fuels their practices. Waller, with a raw immediacy as she pants from life, as Niello-White engages with a psychological reflection of her experience.
Niello-White considers her practice a cyclical act, returning, again and again, to the unknown. Her more psychological paintings orbit the mystery of perception and the absurdity of being, circling the “big M,” as she calls it, the Big Mystery. Niello-White embraces the archetype of “the fool’s” spirit of not knowing, as a way of remaining open, balancing beauty, humor and wonder in each carefully curated composition. Her works often edge on or slip fully into the surreal, moving between sincerity and irony, intimacy and distance, light and shadow. In portraits, Niello-White renders her subjects’ emotion and adornment foremost. Each work consistently carries an undertone of psychological inquiry, while embracing beauty and whimsey.
Waller is more rhizomatic, grounded in filtering through the everyday chaos of her life as an artist and a mother in different periods of her life. Her work explores this impermanence through still life, landscape, and observational realism, drawing connections between beauty, fragility, and time. Each painting hints at the precariousness of the human condition, painterly and lush, but observed with quietude and clarity. Charged with narrative, fragility, and human urgency, her paintings distill fugacious moments into images of luminous, human stillness. The works act as pieces to a collage of the artists life.
Both artists are able to extract the poetry from the ordinary. In their hands, the golden thread, as a symbol of guidance, connection, and continuity, becomes painting itself: a lifeline through chaos, a means of orientation and return, and a metaphor for living an artist’s life in both its modern and traditional forms.


