Island of Shades: John Descarfino

FOR IMMEDIATE RELEASE: 30 April 2025

CHANDLER GALLERY PRESENTS ISLAND OF SHADES

A TWO-PERSON EXHIBITION OF WORK BY JOHN DESCARFINO

Exhibition dates: 2 May – 14 June 2025

MILL VALLEY, CALIFORNIA – CHANDLER GALLERY is pleased to present Island of Shades, an exhibition of works on paper by Brooklyn-based artist John, on view from May 2^nd through June 14^th, 2025. An opening reception will be held on Saturday, May 2^nd from 6 to 8pm. All are welcome to attend.

This exhibition presents sixteen watercolor, colored pencil, graphite and collage works by the artist. Twelve of these works are part of Descarfino’s recent Island of Shades series, and inspired by the island of Purgatory in Dante Alighieri’s epic poem The Divine Comedy. In a statement on the series, Descarfino wrote, “As described by Dante, Purgatory is a mountain-island where the deceased hope for redemption from vices of misdirected or deficient love. The themes of transformation and atonement inherent to Dante’s timeless narrative served as a poetic stimulus for this series of labor-intensive drawings.

“I selected structural elements within Dante’s poem to guide my approach for making the drawings. My intention was not to illustrate the narrative, so I looked for themes and concepts in the text that might furnish ideas for materials and processes to use as analogs. With the notion of redemption in mind, I chose a set of watercolor drawings I had already begun working on that I felt still needed further resolution. I thought I might ‘redeem’ them by subjecting them uniformly to new sequences of labor-intensive processes. These entailed transferring, staining, optical and complementary color mixing, cutting, puncturing, and concealing. These processes generated abstract renditions of settings featured in the poem, such as geographical terrains and nebulae. I also sought to draw indirect reference to Dante’s use of contrapasso as a structural principle, in the sense that the drawings were formed out of contradictions and counterpoints, embodying the tensions inherent in such a structure.”

The resulting twelve works, as well as the four, earlier graphite Flesh and Stone works, are a visually and ideologically rich. Descarfino’s commitment to detail and precision when rendering abstract ideas and themes visually compels and engages viewers in considering the ideas Descarfino is drawing from: contrapasso, atonement, redemption and transformation. The sub-series of Island of Shades (Island of Shades and Terrace) feel as if they could be shifting phases of a single idea or place in eternal flux, while simultaneously reading as topographical studies.

John Descarfino received his BFA from the School of Visual Arts in New York City and his MFA from Hunter College of The City University of New York. He had numerous solo exhibitions at the Lucas Schoormans Gallery in New York City and has shown in group exhibitions at the McNay Art Museum, San Antonio, TX; Blum and Poe Gallery, Santa Monica, CA; Galeria Espacio 48, Santiago de Compostela, Spain; the Berkshire Museum in Massachusetts, the Edward Hopper House Museum and Study Center; David and Schweitzer Contemporary, and the South Broadway Cultural Center in Albuquerque, NM, among others.   His work was reviewed in Artnews, Artnet, The Journal News, and Arte Fuse. His work is included in several public collections including the Louisiana Museum of Modern Art in Humlebaek, Denmark; JP Morgan Chase; and The Capital Group, Los Angeles.  He received grants from the Pollock-Krasner Foundation, Café Royal Cultural Foundation, The City University of New York Research Foundation; and Faculty Development Leaves from Parsons School of Design and The City University of New York. The artist lives and works in Brooklyn, New York.